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  Home > Diamond >

  DIAMOND Halo Chorus
 

 
Our Price: $319.00


Stock Status: In Stock

Product Code: DIAMND-HLO


Description
 
DIAMOND HALO CHORUS.

The Halo Chorus is a new combination delay/pitch modulation/phase modulation chorus design with autoconfigurable I/O for mono, mono in/stereo out, and stereo in/stereo out operation.

Features:

- Parallel combination of delay / pitch modulation and phase modulation gives versatile control over modulation effects from light chorusing to deep 'vibey' swirl
- Stereo operation gives wide stereo image spread while preserving the original guitar tone
- NOS MN3007 analog bucket brigade chip running at 15V rails for extended headroom
- Dual opto 'vibe' phase modulation path also running at 15V rails
- All analog circuitry
- Autoconfigures for mono, mono in / stereo out, and stereo in / stereo out operation
- Pure sinusoidal LFO using a dedicated function generator IC for smooth modulation with variable 'SPEED' and chorus pitch modulation depth 'CH DEPTH'
- 'CH MIX' and 'PM MIX' controls allows independent control of chorus and phase modulation mix levels in both mono and stereo configurations
- Kill-dry switch for parallel FX loop operation or use of chorus path for pure vibrato
- Mono input signal passed through to both outputs on bypass
- Phase switch to invert phase of right channel output relative to left
- LED indication of LFO speed
- Expression pedal control of LFO speed
- Same Vishay JFET / audiophile BurrBrown opamp signal path as in Memory Lane delay
- Telecom grade relay switched true bypass operation on all inputs and outputs
- Internally regulated to 15V, can be run from provided 24V adapter or from 18V pedal board power supply outputs (including Y-cable powering from 2 9V outputs on the Voodoo Labs Pedal Power 2 Plus)
- Genuine Hammond cast aluminium 4.7 x 4.7 x 1.0 inch case
 
 


HARMONY CENTRAL USER REVIEWS:

Sound Quality: 10
I played this in the mono mode at first, and I must say that it became clear to me, right away, that this is the nicest chorus I've heard in a along time, perhaps ever. I played a Telecaster with Harmonic Design PUs into a vintage Fender Tweed Super. This pedal made the super sing, with no harsh top end whatsoever, in fact, with just a little effect added it made the super sound like a reverb amp. With all the controls set to 12, the pedal adds a clean spacey harmonious tail to chords and single notes. With a few turns of knobs it yields everything from far out vibrato type sounds to out of phase cascades. I then plugged it in stereo into the same tweed super and a Black Cat 30R and that is when the fun really started. Lets just say that after a few hours of sonic bliss, I came up to find my wife taping here feet and frowning at me for being late for supper. I could not stop myself. I played clean sounds, and the pedal seemed to smooth the sound out in each type of sound I threw at it, enough said.
 

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