|
|
|
|
|
|
BLAKEMORE EFFECTS Deus Ex Machina Fuzz
|
|
|
BLAKEMORE EFFECTS DUES EX MACHINA FUZZ. The Deus Ex Machina is not a subtle fuzz. This thing is thick, and that�s the way I like it. The pedal has knobs for volume, gain, and tone, like a normal fuzz, but it has two features that make it a bit different. The pedal has a knob for a clean blend, so you can blend between your clean tone, and the fuzz. This makes it perfect for use with bass guitar, or you can experiment with having an overdrive pedal on before the fuzz, and having a half overdriven/half fuzzed out guitar sound. Endless possibilities. The pedal also has a knob so you can boost your mids. The knob boosts your signal around 1000Hz, so you can get back some of your signal that is typically lost when using a fuzz pedal.
|
|
|
|
|
|
|
|
|
|
ANALOG ALIEN FuzzBubble 45
|
|
|
ANALOG ALIEN FUZZBUBBLE 45. The OD side is designed to sound like a vintage tube amp from the 60′s and 70′s. These tones have become legendary in the minds of all rock guitar players. The controls are very simple and straight forward.And just like a vintage tube amp the clarity of each note can still be heard. The Fuzz side is one of the best sounding fuzz faces on the planet. Unlike a conventional fuzz control, which is typically found on many Fuzz Faces, the Haze control and the input control work together in shaping your sound. The true flexibility of this pedal lies in the fact that we designed both sides to work together. Although they�re two different circuits one can be made to sound similar to the other. Each pedal also comes with it�s own time capsule and a bottle of Alien bubbles!
|
|
|
|
|
|
|
|
|
|
WAMPLER Velvet Fuzz
|
|
|
WAMPLER VELVET FUZZ. Sometimes, it's not about chasing a tone from one specific piece of equipment, it's about capturing the tones from the entire signal chain. Looking back through history, there have been some truly outstanding fuzz tones. In particular, the tones achieved by running a fuzz into a screaming stack. The kind of tones that are just earth shattering in their depth, aggression and smoothness. Brian Wampler, who's always looking for the best tones to capture, decided the chase was on. Taking the base tones from a very famous pedal and the characteristics of a famous stacked, EL34 driven, amp - decided it was about time those tones were brought together in pedal format. If you are a fan of the tones of the players like David Gilmour or Eric Johnson, then it could be that the Velvet Fuzz is the pedal you are looking for.
|
|
|
|
|
|
|
|
|
|
|
JHS Muffuletta Fuzz Distortion
|
|
|
JHS MUFFULETTA FUZZ DISTORTION. The heart of the Muffuletta is the fact that it replicates five (yes five) classic Big Muff circuits from years gone by as well as a new and original JHS version for a total of six Muff models. All executed without any digital signal processing or digital emulation. When you choose a model, you are achieving analog tone that uses real components and values found in the original units. We have selected our favorite classic versions from the pages of history and made them available in one small format pedal.
|
|
|
|
|
|
|
|
|
|
RETRO CHANNEL The Fuzz
|
|
|
RETRO CHANNEL THE FUZZ. Pure, smooth, molten... VINTAGE FUZZ tones. The Retro Channel Fuzz could be the ultimate solution for those Page and Beck tones without the hassle of worrying about the effects of temperature or time on those fragile germanium transistors.ﾠ Retro Channel has developed a proprietary chipset that delivers pure MK2 fuzz tones without the use of germanium for a guaranteed tried-and-true tone that will handle all the rigors of the road or inclement weather without ever losing that glorious fuzz tone.ﾠThe Retro Channel Fuzz works extremely well with the guitar's volume knob, cleaning up when it needs to, and delivers punchy, in your face MK2 fuzz at all settings.ﾠ
|
|
|
|
|
|
|
|
|
|
ZVEX Fat Fuzz Factory Vexter Series
|
|
|
ZVEX FAT FUZZ FACTORY VEXTER SERIES. Ladies and gentlemen, we�d like to introduce you to the Fat Fuzz Factory, a take on our original company flag ship Fuzz Factory. The Fat Fuzz Factory features a sub switch that opens the pedal up to an astounding new bottom end. This means the pedal can oscillate at much lower registers, giving it some very interesting thunder broom synth qualities. Based on our field reports, this new fatness lends itself particularly well to the bass guitar, and rips equally well on guitar.
|
|
|
|
|
|
|
|
|
|
ANALOG ALIEN Rumble Seat
|
|
|
ANALOG ALIEN RUMBLE SEAT. The Rumble Seat is actually 3 effects pedals in one super cool enclosure! We designed the Rumble Seat with Rockabilly players in mind, but the sonic textures and possibilities of this amazing and flexible pedal will take you far beyond Rockabilly. Everything is possible with the Rumble Seat � from Surf music to Punk to Hard Rock. The Rumble Seat can easily replace 3 pedals, saving you valuable space on your pedal board. You can have each effect on one at one time or you can have just two or all three. It�s all up to you, the guitarist. Here�s a quick run down of the Rumble Seat�s features.
|
|
|
|
|
|
|
|
|
|
SOLIDGOLDFX Formula 76 Fuzz
|
|
|
SOLIDGOLDFX FORMULA 76 FUZZ. The SolidGoldFX Formula 76 is a modern recreation of the classic mid 70s Japanese octave up fuzz pedals such as the Standard Fuzz and Super Fuzz pedals. SGFX has gone the extra mile to address all of the original design's shortcomings. They have added an LED indicator for the foot switchable tone settings, a compression knob to dial in just the right about of chaos and disaster, a tone knob to easily control the top end and harshness, and an extra output gain stage to increase the amount of volume at your disposal. The Formula 76 is by no means a polite or refined pedal; it's a nasty, over-the-top fuzz, loaded with overtones and octave up notes. It also benefits from the convenience of a foot operated tone switch selecting either mid scooped, bottom heavy tone or a mid boosted, slightly higher output, cutting tone. It is a chaotically musical fuzz.
|
|
|
|
|
|
|
|
|
|
SOLIDGOLDFX Formula 69 Fuzz
|
|
|
SOLIDGOLDFX FORMULA 69 FUZZ. The SolidGoldFX Formula 69 is a modern recreation of the classic late 60's, early 70's Fuzz Face circuit with a few tweaks and modifications to improve tone and versatility. Germanium fuzz faces are very temperamental as they react differently depending on the ambient temperature, guitar, amp, other effects in the chain, and of course, bias setting. Silicon Fuzz Faces are more reliable and consistent however they have a reputation of being harsh and too "high gain". The external Bias control drastically changes the effect's midrange content and response. The pedal is highly responsive and cleans up extremely well as the guitar's volume is rolled back.
|
|
|
|
|
|
|
|
|
|
|
DWARFCRAFT DEVICES Silver Rose V2
|
|
|
DWARFCRAFT DEVICES SILVER ROSE V2. THE SILVER ROSE! Never has drama sounded so good.
Classic rock - YES. 90�s garage rock - YES. Turn up the Super Fuzz side with a medium gain setting, dial in the bias for maximum sustain and let the power chords ring out. Turn up the gain and twist the bias to squeeze that signal down to a compressed electronic wave for single string leads and score a spy movie. Flip the mids switch down and enter the realm of the Wizard of Doom. Something a little warmer, maybe? How about the EC fuzz? A streamlined Eau Claire Thunder can be dialed back to overdrive range or cranked up to a raging wall of thunder.
|
|
|
|
|
|
|
|
|
|
JHS Superbolt
|
|
|
JHS SUPERBOLT. From the inception of the Supro Company in 1935 until its closing in 1968, no other brand of amplifier has had such a fascinating, mysterious and legendary story. The Supro� amps deliver the voice of rock and roll, from Jimmy Page�s legendary Led Zeppelin recordings or Brian Setzer�s early Stray Cat tracks, to the raging rhythm tones of Switchfoot�s Drew Shirley. The JHS SuperBolt overdrive pedal, at its heart, is a discreet circuit, designed to emulate the tone and character of the 1960�s-era Supro� amps. From its touch-sensitivity to the way the pedal sags with tube rectifier color at higher gain settings, the SuperBolt will give any guitar rig a versatile and useful new set of tones, reminiscent of some of the greatest sounds ever recorded. With 3 simple knob controls named Volume, Tone, and Drive, you will have the ability to make any guitar rig drip with vintage soul and attitude that no pedal has ever delivered- until now.
|
|
|
|
|
|
|
|
|
|
WALRUS AUDIO Janus Fuzz Tremolo
|
|
|
WALRUS AUDIO JANUS FUZZ TREMOLO. The Janus is a true bypass, dual joystick controlled Tremolo/Fuzz pedal that allows you to create a landscape of distorted textures. Both the Tremolo and the Fuzz can be isolated and used alone, but can also be used together in series creating thick textures with a lot of movement. Each joystick has a separate X and Y axis that has designated controls. The Tremolo joystick controls the rate and depth while the Fuzz joystick controls the amount of fuzz and the tone. There are individual Volume controls for both effects and a Blend control for the Fuzz that allows the user to mix unaffected signal with the effected fuzz signal.
|
|
|
|
|
|
|
|
|
|
SYNAPTIC GROOVE SlackJaw OD/Boost/Fuzz
|
|
|
SYNAPTIC GROOVE SLACKJAW OD/BOOST/FUZZ. The SlackJaw offers players of every genre an OD/Boost/Fuzz pedal without complication. Handling single coils, humbuckers and solid state or tube amps with equality, the Slackjaw is composed of the best voicing that overdrives, boosts and fuzz pedals have ever offered in a singular design. Our sophomore effort packs an astounding array of tonal features and compliments the Snapperhead perfectly; or any other overdrive/amp for that matter!
|
|
|
|
|
|
|
|
|
|
EARTHQUAKER DEVICES Terminal Destructive Fuzz
|
|
|
EARTHQUAKER DEVICES TERMINAL DESTRUCTIVE FUZZ. The Terminal fuzz is a blown out, busted and all around destructive fuzz device modeled after my old JAX fuzz. For those not in the know, the JAX fuzz is a re-branded Shin Ei Companion fuzz that is well loved for its buzzy sound. The Terminal takes this design three steps further by allowing control over the gain, fine tuning of the EQ and a massive adjustable volume boost. The Voice controls the upper and lower mid range determining the over all frequency response while the Treble adjusts the biting top end. The Fuzz control goes from a gritty �separated� drive to a pinched, searing grind.
|
|
|
|
|
|
|
|
|
|
|
JETTER Red Square
|
|
|
JETTER RED SQUARE. The Red Square was a pedal that I procrastinated in building for quite some time. I had received many requests to incorporate the Red Shift into a dual pedal. What finally got me to do it was a request from an guitarist that I admire and respect tremendously. When I told him my idea, he simply told that I need to �Get this pedal done! Now!�. The Red Square concept is simple: Combine a Red Shift and a Helium in an enclosure the size of the Jetdrive. I have always felt that the Helium is a perfect stacking pedal and with the Red Shift, it is simply amazing. It is a seamless integration that just keeps providing tone, tone and more tone!
|
|
|
|
|
|
|
|
|
|
WALRUS AUDIO Jupiter Fuzz
|
|
|
WALRUS AUDIO JUPITER FUZZ. The Jupiter is a true bypass fuzz pedal inspired by the desire for gritty, thick and loud fuzz. Fuzz pedals tend to emphasize specific frequency ranges, which is both a positive and negative attribute. The Jupiter�s controls allow you the ability to dial in the right amount of fuzz with the right tonal quality to either stand out in the mix, or ride it out with the drums and rhythm. It includes a Mode switch that changes between three different clipping diode arrangements, providing more options and combinations of fuzz and tone and a Bass boost toggle switch for increased low end.
|
|
|
|
|
|
|
|
|
|
AMPTWEAKER TightFuzz PRO
|
|
|
AMPTWEAKER TIGHTFUZZ PRO. Another Amptweaker Pro� pedal, the TightFuzz Pro� is built from the popular TightFuzz distortion pedal. As with the standard sized version, there are many tonal options available thanks to the Germanium/Silicon switch, Smooth Edge switch, and 60's/70's tone switch. The 3 band EQ helps make this one of the most flexible fuzztones available, and Amptweaker's Tight control really makes a difference in controlling the attack of the fuzz. There's even an auto-bias feature built into the Fuzz control, which allows the knob to control from the cleanest to the nastiest distortions with one control.
|
|
|
|
|
|
|
|
|
|
|
WAMPLER Leviathan Fuzz
|
|
|
WAMPLER LEVIATHAN FUZZ. We keep on getting asked about a Fuzz pedal. Do we do one, can you do one... Basically, we got the message. So, we did what we always do, Brian locked himself away and when he emerged sometime later to show us what he had, it was clear he had created a monster... A pedal so aggressive, so tonally destructive we seriously considered whether it was right for us to release it. Here it is, the Leviathan Fuzz. A true monster. With complete control over the tone: volume, gain, bass and treble and a switch that changes from a roar to a rumble feel. The switch takes you between GE and SI diodes, allowing you to more precisely shape the nature of the sound between a more compressed but gainier sound, or an open, throaty tone. Let your imagination guide you... Switch it a few times to get the hang of its sound, and from then on you'll know when you want to rumble, and when you want a roar!
|
|
|
|
|
|
|
|
|
|
DWARFCRAFT DEVICES The Great Destroyer Octave Fuzz Distortion
|
|
|
DWARFCRAFT DEVICES THE GREAT DESTROYER OCTAVE FUZZ DISTORTION. The Dwarfcraft Great Destroyer Distortion pedal delivers mind-bending oscillation and heavy fuzz from the murky depths.
The layout of The Great Destroyer pedal is simple: Volume knob, secondary Gain, primary Gain, and a Starve knob (which prevents power from getting to the circuit). Simple adjustments of these dials bring out massive deep fuzz. The Great Destoryer effects pedal pumps out plenty of powerful lows, with just enough articulation to achieve killer attack and definition for rhythmic chording and screaming solos. Adjust the primary and secondary Gain knobs to control an edgy guitar tone that cuts like a knife.
|
|
|
|
|
|
|
|
|
|
DUNLOP Eric Johnson Signature Fuzz Face
|
List Price: $339.99 Our Price: $199.99 You save $140.00!
|
|
|
DUNLOP ERIC JOHNSON SIGNATURE FUZZ FACE. No one cares more about tone than Eric Johnson, and his choice for getting sweet, singing lead tones is the Eric Johnson Signature Fuzz Face. EJ worked closely with Fuzz Face guru Jeorge Tripps to create his signature pedal. It is inspired by EJ�s prized personal Fuzz Faces and is built to his incredibly strict specifications, featuring hand-selected BC183 silicon transistors (for higher gain), custom repro �68-�69 knobs, and a vintage-style hammertone finish. The result: a beautifully dynamic, expressive, and powerful pedal. No other pedal gets this type of sound. It�s the pinnacle of psychedelic fuzz.� Now, get closer to Eric's true tone than ever before, with the EJ Signature Fuzz Face!
|
|
|
|
|
|
|
|
|
|
DWARFCRAFT DEVICES Gears
|
|
|
DWARFCRAFT DEVICES GEARS. Gears is many things, an overdrive, sub octave generator, and resonant filter with expression pedal input. What it means for the player is a device that allows you to emulate many familiar synth sounds, as well as create brand new ones. The overdrive is a fixed sound that can be mixed from silent to LOUD. This signal is fed into a clock divider, which puts out a Square wave (or two) we can mix into the output. This audio travels on to the aggressive filter section. There's also a drive control allowing you to play nice with the filter, or just slam audio up against it. The filter also sneaks into self oscillation, for a little bit of extra noise, if you so desire.
|
|
|
|
|
|
|
|
|
|
SOLIDGOLDFX Agent 13 Fuzz
|
|
|
SOLIDGOLDFX AGENT 13 FUZZ. The SolidGoldFX Agent 13 pedal is the ultimate tone tool for high gain fuzz lovers looking for some seriously twisted and textured fuzz tones. The Agent 13 does it all! From soft to over-the-top, super gated to overload and everything in between. It can even be set to self-oscillate at maximum fuzz settings with the instrument's volume set to zero, allowing the user to vary the pitch and intensity of the oscillation by playing around with the tone switch, fuzz, bias and volume controls. If nasty yet versatile fuzz is what you're after, the Agent 13 will not disappoint! The pedal features high gain, hand selected transistors, specially tuned circuitry, and an extended bias range. As a bonus, since 2009, SGFX has incorporated the flexibility of a 3-way tone toggle switch delivering biting treble rich fuzz tones from the 60's to heavy sludge fuzz heaven. The Agent 13 is aggressive without being harsh, delivering tons of saturation! Additional tones and textures can be achieved by simply rolling back on your guitar's volume.
|
|
|
|
|
|
|
|
|
|
ROTOSOUND 1960s Vintage Fuzz Reissue
|
List Price: $375.95 Our Price: $299.95 You save $76.00!
|
|
|
ROTOSOUND 1960S VINTAGE FUZZ REISSUE. A reinvention of Rotosound's legendary Vintage Fuzz pedal. Rotosound is thrilled to reissue their legendary Vintage Fuzz Pedal, using the same essential circuit configuration as the original 1960s design combined with modern resistors and capacitors. This new fuzz pedal combines yesterday�s mojo and tone flavor with the reliability and stability of today�s component technology. The original prototype pedals were only available in limited numbers and never released for general sales. Nonetheless, these pedals were found all over the place�there is even a picture of Led Zeppelin�s Jimmy Page playing one.
|
|
|
|
|
|
|
|
|
|
DWARFCRAFT DEVICES The Internet
|
|
|
DWARFCRAFT DEVICES THE INTERNET. Yes, ladies and gentlemen, Dwarfcraft has invented the Internet! This Internet is ALL ANALOG. It requires no computer. AND you get lifetime access for a ONE TIME FEE! HAHAHAHAHA JOKES! Anyway, this is our first dedicated overdrive pedal. GEWGLE stomp switch activates 2 gain stages, from clean-ish boost to crunchy munchy, stomping on the Pr0n switch adds a third gain stage for MORE LOUDNESS AND DISTORTION!! Punk, Fuzz, Rock, Blues... THE INTERNET HAS IT ALL!
|
|
|
|
|
|
|
|
|
|
ZVEX Fuzzolo Mini Fuzz
|
|
|
ZVEX FUZZOLO MINI FUZZ. This silicon fuzz has a rich subby ripping texture with aggressive midrange and plenty of volume. Your Fuzzolo has two knobs, one controlling Volume and the other controlling Pulse Width, which sweeps between square wave and a narrow/wide pulse shape. There is no battery in your Fuzzolo so external 9v power must be used. For use with Bass or active pickups, open the unit's bottom lid and move the black jumper from P to A. For use with Guitar or passive pickups on quieter instruments, make sure the jumper is on P.
|
|
|
|
|
|
|
|
|
|
|
TORTUGA Yeti Fuzz-Stortion
|
|
|
TORTUGA YETI FUZZ-STORTION. The YETI� is a massive, tight sounding fuzz that�s almost a distortion, so we decided to call it a �Fuzz-Stortion�. Anything from that sloppy 70�s fuzz to a modern high gain �wall of tone� can be achieved with the YETI�. Find him, listen to him howl and don�t be afraid to make him angry!
|
|
|
|
|
|
|
|
|
|
JHS Mini Foot Fuzz
|
|
|
JHS MINI FOOT FUZZ. Small, ruthless and simple. 1� x 3� of pure classic fuzz that can melt even the most anti-fuzz activists heart. We believe this is one of the most shocking pedals you will ever play. Rich harmonics, massive headroom and thick fuzz/overdrive that may cause you to wonder, �What if I had had this pedal years ago? Would I be famous...?�
|
|
|
|
|
|
|
|
|
|
CATALINBREAD Octapussy Octave Fuzz
|
|
|
CATALINBREAD OCTAPUSSY OCTAVE FUZZ. The more you play the Octapussy, the more sounds you�ll find in it! With the Octapussy, you can: Play sweet, breathy, delicate octave-up melodies up high on the neck. Play epic soaring leads that are full sounding with upper harmonics that bloom and bloom and bloom as you hold that bend. Get tough sounding almost ring modulated double-stops that growl when you sustain it. Obtain sounds that evoke Caribbean steel drums. Get massively huge grinding, industrial-strength power chords. Riff out with a textured, harmonically rich fuzz tone that can achieve cello-like qualities. Play otherworldly sounding arpeggios. Make strange, atonal soundscapes. Evoke the texture of a sitar. Achieve mysterious sounding droning melodies. This is one sweet sounding octave fuzz!
|
|
|
|
|
|
|
|
|
|
|
TORTUGA Sasquatch Germanium Fuzz
|
|
|
TORTUGA SASQUATCH GERMANIUM FUZZ. The Sasquatch� is a rich, full fuzz based on the old school Fuzz Face� circuit. It has been modified to be more balanced and efficient while retaining all the classic tones everybody wants in a killer, hand-build, Germanium transistor fuzz. It also has a cool freak out mode that sounds like nothing you�ve ever heard before. The Sasquatch� has been optimized to work perfectly with guitar or bass.
|
|
|
|
|
|
|
|
|
|
BLAKEMORE EFFECTS Bi-Polar Octadrive
|
|
|
BLAKEMORE EFFECTS BI-POLAR OCTADRIVE. The Bi-Polar Octadrive uses the Mustang Overdrive as its base tone, and it has the same controls for volume, gain, bass, mids, and treble, but the Octadrive includes an added footswitch so you can engage an octave up effect that can be used in conjunction with the overdrive. A dual color LED let�s you know whether the effect or octave are on or off. This is a dynamic overdrive that responds very well to your pick attack. If you pick lightly the pedal cleans up, and if you dig in, rest assured the pedal will fight right back. The three band EQ let�s you shape the tone of the pedal however you want, and the gain knob goes from acting like a clean boost at the lowest settings, to acting like an overdrive, to acting like a fuzz at the higher settings.
|
|
|
|
|
|
|
|
|
|
ROGER MAYER Page 1
|
|
|
ROGER MAYER PAGE 1. In 1964 Roger Mayer designed their first fuzz guitar effects pedal that was used by Jimmy Page and Big Jim Sullivan and featured on many early hit records. They are pleased to announce that after 40 years this early ground breaking fuzz is available again. It uses carefully selected germanium transistors and has the same distortion section as the original 1964 version.
|
|
|
|
|
|
|
|
|
|
ANALOG ALIEN Alien Twister
|
|
|
ANALOG ALIEN ALIEN TWISTER. The Alien Twister has touched down, and according to preliminary reports it has all the makings of an F-5 Tornato! The Alien Twister is a Fuzz, Distortion, Overdrive pedal with a built in buffer. The Twister comes in a cloth satchel and is packed in it�s own branded wooden box and includes a bottle of Chips favorite Hot Sauce. With an output that reaches unity gain at 10 O� Clock this pedal has plenty of power to blow the doors off of all your favorite venues.
|
|
|
|
|
|
|
|
|
|
EMRPESS EFFECTS MultiDrive
|
|
|
EMPRESS EFFECTS MULTIDRIVE. "The whole is greater than the sum of its parts." - Aristotle. The idea of blending amps together has been a studio trick used on countless recordings over the years. Being able to blend the stregths of certain amplifiers and have other amps fill in the weaknesses produces a richer, better balanced sound. Up until now, the only way to repoduce this live was to haul a few amps around with you on the road. After a few gigs of doing that, a lot of players end up compromising tone for the ease of carrying 1 amp around with them. This is where the multidrive shines. The multidrive allows you to blend Overdrive, Distortion and Fuzz together, creating a full and rich array of tones that would not be available otherwise. Let the sustain of fuzz, the bite of distortion and the clarity and note definition of overdrive all work together! Do what would normally take 3 amps in a 4x3" box.
|
|
|
|
|
|
|
|
|
|
CIRCUS FREAK Bearded Lady Fuzz Tone
|
|
|
BEARDED LADY FUZZ TONE. Full germanium transistor circuit produces gentle clipping fuzz tones from subtle fuzz to massive deep muff. The Bearded Lady is ideal for the player who desires the tonal qualities of a straight germanium based fuzz effect with the added versatility of external biasing. Most likely the last fuzz you will ever need, she�s hairy in a good way.
|
|
|
|
|
|
|
|
|
|
DWARFCRAFT DEVICES Shiva Fuzz Octave Up
|
|
|
DWARFCRAFT DEVICES SHIVA FUZZ OCTAVE UP. Squeel! Grind! Retch! Grooooooooove. What seems like a long time ago, I tried to make a normal fuzz. That didn�t last long. While the Shiva does do a couple familiar sounds, a nice beefy powerchordy type of fighitn� fuzz, and a snotty octave up, I found it much more exciting to get odd sounds out of it. Shiva squeels and motorboats and has some suboctave powers too! A lot of these sounds can be switched on via the starve switch on the right.
|
|
|
|
|
|
|
|
|
|
ELECTRO HARMONIX Big Muff Pi with Tone Wicker
|
List Price: $121.20 Our Price: $90.90 You save $30.30!
|
|
|
ELECTRO HARMONIX BIG MUFF PI WITH TONE WICKER. The Electro-Harmonix Big Muff Pi with Tone Wicker is a guitar effects pedal that taps into the sonic power of the legendary Big Muff Pi, and creates new tonal possibilities at the flick of a switch�or two. Use the Wicker switch to open up 3 high-frequency filters for raspy, sustaining distortion with top-end bite, or flick on the Tone switch to bypass the tone control for unabated tonal slam. Want the original Big Muff sound? Just switch off the Wicker and turn on the Tone. The ability to create your own personal Big Muff sound is what truly makes this guitar pedal the Wicked Wicker.
|
|
|
|
|
|
|
|
|
|
|
DWARFCRAFT DEVICES SOMMS "Satan Oscillate My Metallic Sonatas"
|
|
|
DWARFCRAFT DEVICES SOMMS "SATAN OSCILLATE MY METALLIC SONATAS". SATAN OSCILLATE MY METALLIC SONATAS! Or SOMMS for short. For SOMMS, we looked back at our squarewave synths, Thumping Double Squaresnakes, Rot Yr Brain and thought, �Well, we could squash these together into a super synth of limitless evil.� SOMMS features four oscillators, one low frequency rhythmic driver, one fine tunable audio drone, and finally a pair of squeeling singers controlled via joystick. These are all mixed via a network of volume knobs. To top it off, we added a feature often requested from players, an instrument input! Finally, you can have a Dwarfcraft synth on your pedal board, complete with in and out holes.
|
|
|
|
|
|
|
|
|
|
MALEKKO Wolftone Helium Octave Distortion
|
|
|
MALEKKO WOLFTONE HELIUM OCTAVE DISTORTION. Sanctioned by Todd Wolfgram, Malekko is thrilled to release our hand-built, all-analog Wolftone HELIUM pedal. A brief history of the Wolftone pedals: in the early 2000's, our friends Studio Electronics released the Todd Wolfgram designed effect pedals, the Wolftone HELIUM. These pedals have since earned almost mythical status due to their intense distortions and unique sounds which were unlike anything else available as well as their rarity. Now, after months of close work with Todd, this updated version by MALEKKO of the legendary HELIUM features a second WOLF setting to augment the original pedal's two position octave sonic palette and has been designed to operate with a 'standard' 9v neg tip power supply. The HELIUM is an Octavia style distortion pedal coupled with an intense octave up effect. The interaction of gain to dynamic response work together to make the Helium the most versatile and pivotal "octave up" pedal to date.
|
|
|
|
|
|
|
|
|
|
EARTHQUAKER DEVICES Dream Crusher
|
|
|
EARTHQUAKER DEVICES DREAM CRUSHER. The Dream Crusher fuzz device has been added to the line for good! This is our take on the classic germanium fuzz face circuit. Made with 2 NOS Mil Spec Germanium transistors, hand selected and tested finest of high gains. Yep, only the finest. Touch sensitive, overdrive-like and great definition from noon back, crushing grinding distortion through blown out and overloaded fuzz at it�s extreme. Cleans up well with the volume of the guitar and works great with all pick up configurations and styles. Even though it only has two controls, you�ll find a lot of different tones and character inside. We�ve never played another like it.
|
|
|
|
|
|
|
|
|
|
DWARFCRAFT DEVICES Baby Thundaa
|
|
|
DWARFCRAFT DEVICES BABY THUNDAA. The Power of Thunder in a little box! The baby Thundaa has the same great distortion and overdrive sounds, and internal feedback! This little powerhouse has proven itself on a number of guitar, baritone, and bass pedalbaords already, and is an economical alternative to the full featured thunder. This is what I tend to use in The Ronald Raygun. The all new Dwarfcraft Devices Baby Thundaa is a powerful combination of some of the best features of the Eau Claire Thunder in a compact enclosure. The Dwarfcraft Devices Baby Thundaa features controls for Volume, Tone, Distortion, and Feedback and provides almost all of the great sounds of its big brother.
|
|
|
|
|
|
|
|
|
|
|
LEE JACKSON Fuzzy Finger
|
|
|
LEE JACKSON FUZZY FINGER. Remember the days when you got a pedal, that when you plugged it in it made you want to play for hours? Meet FUZZY FINGER�. The first thing I thought when I plugged into Fuzzy Finger� was, man it is fun to play guitar. For years I have been working on a design to allow you to have your favorite "Classic" Fuzz Sound and with more features then a standard Fuzz pedal. Fuzzy Finger� was designed with the idea of being as transparent as possible, to not overly change the original sound as it comes out of the instrument. Fuzzy Finger� will enhance your great Rhythm sound without dropping out all your Low End. Get ready for Chocolately Luscious Solo's, and endless possibilities. Oh Yeah and for the Good part. Fuzzy Fingers� is completly discrete Germanium Transistors, with True Bypass. And, what are those little switches next to the Knobs? They set the Tone on the input or Pre Fuzz, or Post after Fuzz. And the Touch control, sets the sensitivity with your playing style.
|
|
|
|
|
|
|
|
|
|
CATALINBREAD Merkin Fuzz Mosrite Fuzzrite
|
|
|
CATALINBREAD MERKIN FUZZ MOSRITE FUZZRITE. The Catalinbread Merkin is a fuzz pedal that's just rite for classic sixties fuzz sounds and beyond! Extended and refined from a classic fuzz circuit, this 3 silicon transistor circuit is very textural, varying from blunt to ripping. It's controls are simple, a volume, and a texture knob with huge range, from cleanish blend counter-clockwise to full fuzz as you turn the knob clockwise. When developing the Merkin, we chose components for sweet yet buzzing tone which still has a very touch sensitive response. Along with a slew of sixties fuzz sounds from the Ventures to the Stooges and many points in between. The Merkin Fuzz is able to do octave-up sounds by using your guitar's neck pickup with the tone rolled off.
|
|
|
|
|
|
|
|
|
|
DWARFCRAFT DEVICES Hair of The Dog
|
|
|
DWARFCRAFT DEVICES HAIR OF THE DOG. OH YEAH! This is one of my pet projects from way on back. It�s descended from Eau Claire Thunder, but tweaked a bit to tear up your bass guitar, and of course, it will work on your smaller, wimpier instruments such as guitars or baritones or Casio keyboards. The bass friendly tones are helped along by a noise gate and a �low blend� allowing you to dial in some of your undistorted low tones into your mix. Designed for the instrumentalist that specializes in low end, the Dwarfcraft Hair of the Dog brings a whole new breadth to the big string banger. No more wimpy, fuzzed out tones. The Dwarfcraft Hair of the Dog is a great pedal for sending the fuzz into the stratosphere or adding a bit of hair for that grinding drudgery. Works on ALL instruments ready to get a rude of wakening!
|
|
|
|
|
|
|
|
|
|
DWARFCRAFT DEVICES Eau Claire Thunder Fuzz
|
|
|
DWARFCRAFT DEVICES EAU CLAIRE THUNDER FUZZ. I�m pretty much in love with this pedal, so forgive me if I seem to be up my own ass about it. Eau Claire Thunder is the result of my wish to rectify a few issues I�ve had with other fuzz boxes, notably a mid scoop. �But Old Pal Aen, some times I need to scoop the midz for my metal tonez!� When stomping on the �BYPASS� switch, you will be in familiar fuzzbox territory. Volume, Tone, and Distortion are all active, as well as the �TIMEWARP� toggle, which flips between the traditional hi-fi type sound and a more blunted, ummm, stoner-rocky type sound. �TONEBLAST� bypasses the tone control, giving you more mids and a bunch more volume. The Eau Claire Thunder fuzz pedal has the most bass of any Dwarfcraft stompbox. It works like a dream on guitars AND bass guitars too!
|
|
|
|
|
|
|
|
|
|
EARTHQUAKER DEVICES Hoof Fuzz
|
|
|
EARTHQUAKER DEVICES HOOF FUZZ. The Hoof is a no-fuss, easy to use device capable of sounds from warm, gritty overdrive to a huge sustaining fuzz. It's a germanium/silicon hybrid muff style fuzz (based on the old green russian muff) with massive amounts of volume on tap and smooth amp-like sustain. It has a tighter, cleaner sound than most muff's which makes it more cutting and discernible in a band setting. The newly added shift control changes the frequency response of the tone control, mainly on the treble side (but takes out the mud on the bass side). Clockwise scoops the mids and counterclockwise enhances the mids. When the shift control is set dead center it has roughly the same frequency response as the original hoof (almost flat but still slightly scooped).
|
|
|
|
|
|
|
|
|
|
DWARFCRAFT DEVICES She Fuzz
|
|
|
DWARFCRAFT DEVICES SHE FUZZ. Squeel! Grind! Retch! Grooooooooove. What seems like a long time ago, I tried to make a normal fuzz. That didn�t last long. While the She Fuzz does do a couple familiar sounds, a nice beefy powerchordy type of fighitn� fuzz, and a snotty octave up, I found it much more exciting to get odd sounds out of it. Shiva squeels and motorboats and has some suboctave powers too! A lot of these sounds can be switched on via the starve switch on the right. She Fuzz has become quite a hit with the kids, and who am I to argue? I guess I�ll keep making them. Oh, PS, the She Fuzz used to be called Shiva.
|
|
|
|
|
|
|
|
|
|
ELECTRO HARMONIX XO Graphic Fuzz
|
List Price: $201.30 Our Price: $151.00 You save $50.30!
|
|
|
ELECTRO HARMONIX XO GRAPHIC FUZZ. The classic EH Grpahic Fuzz just got better. Smaller, more sturdy compact die cast enclosure, true bypass, and all the same original features of the original. Fuzzy Math! For the true tonal alchemist, this unique distortion tool with 6-band EQ is sensitive to the dynamics of your playing. Sliders for Overdrive, Sustain, and Volume further its array of tones. Use the Graphic Fuzz solely as an EQ or switch on the distortion for total sound sculpting!
|
|
|
|
|
|
|
|
|
|
the SYLE Velcro Fuzz
|
|
|
THE SYLE VELCRO FUZZ. Disgusting fuzz that generates everything from octave(s) up/down hugeness to fizzy, hurling crakle to ring modulating madness! Extremely versatile controls and a super wide tone response. Heavy, loud, tearing, twirling, blatting & spitting. This is not a clone or copy and is not based off of any other fuzz pedal. Customers have raved about the Velcro Fuzz's sound & options as far superior to most all other fuzz pedals on the market today and at half the price of the competition, you cant lose!
|
|
|
|
|
|
|
|
|
|
NOBLES Ultra Fuzz
|
|
|
NOBLES ULTRA FUZZ. Fuzz pedal designed to recreate the vintage sound of the early transistor amplifiers. Classic chainsaw fuzz sounds.
|
|
|
|
|
|
|
|
|
|
BLAKEMORE EFFECTS Dreamsicle Fuzz
|
|
|
BLAKEMORE EFFECTS DREAMSICLE FUZZ. The DreamsICle is derived from my favorite vintage IC based fuzz pedal. This sound has sold millions of records in the past, so I figured why change something that obviously works? This was sort of a pet project for me. Since I can�t easily purchase these fuzzes any more, I figured I would make them available to the masses in a smaller, more durable enclosure. The tone bypass switch has been also changed from a toggle switch to a footswitch. This way you can use the tone bypass switch as a lead boost, if you want, since it will greatly increase your volume and return some of the mids that are scooped when the tone knob is active.
|
|
|
|
|
|
|
|
|
|
|
VINTAGE FX FuzzRiot
|
|
|
This is a clone of the one that started it all. Those great, saturated with fuzz sounds heard on songs from the 60's & 70's are easily achieved with the FuzzRiot. The pedal is based on Phillip Bryant�s design and is kept as close to the original Fuzzrite as possible.
|
|
|
|
|
|
|
|
|
|
DNA ANALOGIC Smoky Fuzz
|
List Price: $300.00 Our Price: $239.99 You save $60.01!
|
|
|
DNA ANALOGIC SMOKY FUZZ. The Smoky Fuzz offers incredibly authentic reproductions of all the classic fuzz tones of the 60s and 70s - and when we say all, we mean ALL. Unlike other boutique Fuzz pedals that are basically copies of one particular vintage unit, the Smoky Fuzz uses a combination of past and present technologies to create a wide palette of fuzz effects in a single, versatile box.
|
|
|
|
|
|
|
|
|
|
NICK GREER Ghetto Stomp
|
|
|
NICK GREER GHETTO STOMP. Three knobs sit atop this beautiful pedal. This pedal goes in the range of fuzz and distortion. Gain, Tone, and Level knobs allow the player a great amount of flexibility. This pedal is wonderful in meshing with one's current overdrive sound and can even be used as a rhythm distortion. Fat and lovely, this is the player's pedal. Ghetto inspired, ghetto designed, this pedal can hold it's own in the harshest environment.
|
|
|
|
|
|
|
|
|
|
PRO TONE Monster Fuzz
|
|
|
PRO TONE MONSTER FUZZ. Pro Tone Pedals and renowned artist Felix LaFlamme have teamed up once again to bring you the most monstrous effects pedals around. The Monster Fuzz is an unruly fuzz spitting beast capable of the most amplifier abusing fuzz around. But like most monsters this one has a soft side... a sweet underbelly if you please... good luck finding it!
|
|
|
|
|
|
|
|
|
|
OOHLALA EFFECTOR 13 Truly Beautiful Disaster
|
|
|
OOHLALA EFFECTOR 13 TRULY BEAUTIFUL DISASTER. The Truly Beautiful Disaster consists of two effects in one pedal. First, there is the feed back loop (with photo sensitive eye), which enhances effects placed in the SEND and RETURN loop of the TBD. Second, there is the oscillating fuzz, which adds an amazing amount of texture (and if needed, chaos) to the effect in the feedback loop. The feed back loop runs before the oscillating fuzz, and they are both seperate, which means you can have one on at a time, or both.
|
|
|
|
|
|
|
|
|
|
RED WITCH Fuzz God II
|
List Price: $309.95 Our Price: $249.95 You save $60.00!
|
|
|
RED WITCH FUZZ GOD II. Fuzz God II, the insane silicon brother of Germanium Fuzz God. It's wilder, it's crazier, it's the loose cannon sonic brother that you wouldn't introduce to your girlfriend, cause you know he'd try his luck with her. Fuzz God II allows you to create fuzzyness of epic proportions (think red seas parting, burning bushes, pillars of salt etc). From your classic fuzz tones of the sustaining, soulful, singing kind through to those of utter chaos - encompassing suboctave madness, parasitic sustain and out of control fax machine dial lunacy. More useable. More interactive. More versatile. Even more omnipotent.
|
|
|
|
|
|
|
|
|
|
OOHLALA EFFECTOR 13 Synth Mangler
|
|
|
OOHLALA EFFECTOR 13 SYNTH MANGLER. All out FUZZ CHAOS! The Synth Mangler features (2) Soda Meiser style fuzz circuits in one box. Each has its own volume control, hiss and chaos modes. The Joystick controls the intensity of both fuzz's. Built-in photo eye to use the Synth Mangler as a stand alone noise generator!
|
|
|
|
|
|
|
|
|
|
WAY HUGE ELECTRONICS Swollen Pickle Jumbo Fuzz
|
List Price: $265.17 Our Price: $129.95 You save $135.22!
|
|
|
WAY HUGE ELECTRONICS SWOLLEN PICKLE. Way Huge presents the Swollen Pickle fuzz pedal, a bright green stompbox that's full of big-sounding fuzz tone and juicy low end. The Swollen Pickle includes a Sustain control that takes you from a restrained crunch all the way to massive, stage-shaking tones, while a Filter knob makes it easy to dial in an array of great fuzz tones. Of course, Way Huge didn't stop there! They also included Scoop and Crunch controls to adjust the midrange and compression characteristics, respectively. You can even access more controls inside the Swollen Pickle pedal!
|
|
|
|
|
|
|
|
|
|
the SYLE FayGun Fuzz
|
|
|
THE SYLE FAYGUN FUZZ. The great transistor analog fuzz sound you crave & a billion more! One of the most versatile fuzz pedals on the market and the best sounding by a long shot! Slicing treble, pounding low end and buzzing sustain out the wa-zoo! Designed to be QUIET - no background noise!
|
|
|
|
|
|
|
|
|
|
LINE 6 DM4 Distortion Modeler
|
List Price: $349.99 Our Price: $249.99 You save $100.00!
|
|
|
LINE 6 DM4 DISTORTION MODELER. Why is it that something considered so undesirable in most contexts is the one thing we guitarists desire most of all? Distortion: It�s the gritty heart of every player�s sound, whether your passion be for mild overdrive, singing sustain, flat-out raunch or precision metal meltdown. It�s just not practical to line up an MXR� Micro Amp, a Chandler Tube Driver�, an Ibanez� TS-808 Tube Screamer�, a Boss� Metal Zone and twelve more coveted distortion boxes at a live gig down at Sparky�s Bar & Grill, and even if it was, you�d end up with more noise than a Manhattan traffic jam. No worries: The DM4 lets you dial in models based on* all of these classic boxes�and more, including the Arbiter� Fuzz Face, Big Muff Pi� and ProCo Rat, as well as the more �inside� Colorsound� Overdriver and Vox� Tone Bender�from a simple and rugged steel housing. In just a single box, you�ll find the torrid timbres that players like Jimmy Page, Stevie Ray Vaughan, Eddie Van Halen, Steve Lukather and others have made part of our collective consciousness, and the DM4 will give you the means to transform those classic tone recipes into something utterly your own. If distortion is your passion, the DM4 will be love at first bite.
|
|
|
|
|
|
|
|
|
|
DUNLOP Fuzz Face Jimi Hendrix JH-F1
|
List Price: $257.49 Our Price: $149.99 You save $107.50!
|
|
|
DUNLOP FUZZ FACE JIMI HENDRIX JH-F1. The Hendrix Fuzz Face is built around the toneful BC108 silicon transistor. It is authentic in every detail � a hand wired brown circuit board with no solder mask and circuitry carefully matched to the original specs. The look is 100% accurate too � that groovy circular chassis with tooled clones of the original Fuzz Face knobs in the rare and vintage turquoise hammertone finish. A truly playable collectable for any Hendrix or Fuzz Face fanatic. Features a bright sounding BC-108 silicon transistor, hand wired brown circuit board, no solder mask, and original Fuzz Face knobs.
|
|
|
|
|
|
|
|
|
|
EARTHQUAKER DEVICES Dirt Transmitter
|
|
|
EARTHQUAKER DEVICES DIRT TRANSMITTER. The Dirt Transmitter is dual transistor crumbling fuzz tone. The bias control affects the voltage to the transistors which can create super cool gated velcro fuzz when turned counter clockwise or bring it back to life by turing it clockwise. It's "properly biased" around 2'OClock on the dial. Adjusting the tone with the bias is a must to achieve a wide range of sounds. The fuzz control can produce tones from overdrive like break up to all out thick ripping fuzz tones while never getting flabby. Excessive amounts of volume and virtually no extraneous noise. Works great with both single coils and humbuckers, clean up with the guitar volume is excellent.
|
|
|
|
|
|
|
|
|
|
CATALINBREAD Manx Loaghtan Fuzz
|
|
|
CATALINBREAD MANX LOAGHTAN FUZZ. The Big Muff is probably one of the most sought after, and heavily replicated pedals on the planet. Even though it is still made by the original manufacturer, it's long and varied history has made it's way into many other pedal manufacturer's fold. When we set out to create the Manx Loaghtan fuzz. We wanted to be able to use this into a hot amp if you wish to, so when you lower the bass nice mid range content can cut through. We also wanted the SUSTAIN range to be usable all the way throughout the dial. Some of the tones we referenced range from Gilmour to Black Keys to J Mascis to Dead Meadow to Thurston Moore to Adrian Belew. The Manx Loaghtan Fuzz... Chunky, flutey singing sustain. Powerful Baxandall tone controls offer independent control over the bass and treble frequencies so that there is never a balancing act compromise!
|
|
|
|
|
|
|
|
|
|
ELECTRO HARMONIX Nano Big Muff Pi
|
List Price: $96.90 Our Price: $72.70 You save $24.20!
|
|
|
ELECTRO HARMONIX NANO BIG MUFF PI. Everything you love about the legendary Big Muff, in a compact pedal that's perfect for any pedalboard! The electro-harmonix Big Muff Pi Nano distortion/fuzz pedal serves up a wide range of aggressive tones that have been favored by Jimi Hendrix, Santana, Pink Floyd, and countless others. The tone control covers expansive sonic territory, while the sustain control lets you dial in just how huge your sound is.
|
|
|
|
|
|
|
|
|
|
T-REX Mudhoney
|
List Price: $269.00 Our Price: $199.00 You save $70.00!
|
|
|
T-REX MUDHONEY. The Mudhoney is a Distortion/Fuzz pedal with a very wide tonal range. It features a typical 3-knob gain/volume/tone layout plus a boost switch. Very thick tone with warmth that could quickly find its way to being your main dirt for jazz, blues, etc. The speakers in my little Princeton cried for mercy. Hitting it with the bridge pickup of a Les Paul brought sustain of Spinal Tap proportions. Chords were a menacing wall of sound but yet unlike its name would imply, the Mudhoney didn�t get muddy and muffled. Note and harmonic separation was impressive giving a very dimensional sound at gain levels where most pedals sound flat. The boost button and the tone knob enable you to dial in every sound you like right from ultra fuzz to smooth jazz sounds.
|
|
|
|
|
|
|
|
|
|
|
MSD MUSICIAN SOUND DESIGN Paranoid Fuzz
|
List Price: $250.00 Our Price: $199.99 You save $50.01!
|
|
|
MSD PARANOID. Do you prefer the sound of an Orange to a Vox? Were you more excited about the Ozzy reunion w/Sabbath than David Lee getting back w/VH? Would you rather have seen Tony at MSG than Jimi at Berkley? If you�re not the typical guitarist, then why settle for the typical gear choices? The Rock N Roll Doctors at Germany�s Musician Sound Design have found the cure for your ills, and it comes in a little silver box called the PD-1 Paranoid. The Paranoid was designed to reproduce the massive, syrupy thick guitar tones of Black Sabbath legend Tony Iommi circa the first four Sabbath studio albums.
|
|
|
|
|
|
|
|
|
|
|
CHUNK SYSTEMS Brown Dog
|
List Price: $350.00 Our Price: $262.50 You save $87.50!
|
|
|
|
|
|
|
|
|
|
|
|
|
EFFECTOR 13 Vintage Fuzz Master
|
|
|
EFFECTOR 13 VINTAGE FUZZ MASTER. The Vintage Fuzz Master picks up where the Soda Meiser leaves off. At lower intensities it acts as a classic disharmonic fuzz not unlike the Ampeg Scrambler, while at higher intensities it begins to behave more like an octave fuzz, eventually reaching Fender Blender insanity. In addition to it's great fuzz sound, there is a second mode that increases the VFM's sensitivity to noise for those who like a more vintage or experimental sound.
|
|
|
|
|
|
|
|
|
|
AYA BM 70's Fuzz
|
|
|
AYA BM 70'S FUZZ. The AYA Tokyo Japan BM Fuzz is noted for its fat and strong sound, with settings from natural distortion box to dirty fuzz sound. A carboncomposition resistor is used to make a high quality sound. High-quality parts are used (Vishay/sprague/AVX/Fairchild transistor). Internal wiring uses BELDEN cables. Different kinds of solder by KESTER to control tone quality.
|
|
|
|
|
|
|
|
|
|
PRO TONE Ram Skull Fuzztortion
|
|
|
PRO TONE RAM SKULL FUZZTORTION. The Ram Skull is a re-birth of the ridiculously expensive and hard to find Big Muff Pi commonly known as the �Ram�s Head�. Note quite a fuzz, not quite a distortion; more like half and half... a hybrid. The Ram was favored by David Gilmour from �77-�89. I ask you- when was his tone any better than that time frame?
|
|
|
|
|
|
|
|
|
|
AYA BM 80s Fuzz
|
|
|
AYA BM 80s FUZZ. All those good fuzz tones from the popular bands from the 80s. The AYA Tokyo Japan BM Fuzz is noted for its fat and strong sound, with settings from natural distortion box to dirty fuzz sound. High-quality parts are used (Vishay/sprague/AVX/Fairchild transistor). Internal wiring uses BELDEN cables. Different kinds of solder by KESTER to control tone quality.
|
|
|
|
|
|
|
|
|
|
NICK GREER Razor Burn Hybrid
|
|
|
NICK GREER RAZOR BURN HYBRID. Sustain, sustain, sustain, fuzz, fuzz, fuzz. Does that description fit the sound your looking for, then you've found your pedal. Special custom Nick Greer pedal featuring a hybrid mixture of Germanium and Silicon circuitry to give you a unique, off the wall tone. Your notes will hang on forever with this one. Definately a one of a kind, must have pedal. Super cool paint finish and true bypass operation.
|
|
|
|
|
|
|
|
|
|
EFFECTOR 13 Torns Peaker
|
|
|
EFFECTOR 13 TORNS PEAKER. This is fuzz LOVE! The fuzz with ALL the flaws, all the little grime and compression and unclean, ungodly, unholy sounds that distorted wave forms originated from. Sliced up speaker cones, over-driven pre-amps on mixing boards of the 50's, sessions recorded directly to vinyl before the days of tape and processors and protools. In addition to it's great fuzz sound, there is a second mode that unleashes wild chaos unlike you've ever heard.
|
|
|
|
|
|
|
|
|
|
FRANTONE Peachfuzz
|
|
|
FRANTONE PEACHFUZZ. Back by popular demand and better than ever. This 3-knob Peachfuzz fuzztone has all the great classic sound with 50% more gain, super quiet circuitry, and rockin' tone control. Truly the finest in lead-guitar tone, and a must for all serious players. Looking for a screaming cranked-to-ten amp-in-a-box, smooth singing fuzztone, and overdrive distortion all in one? Well, this is for you!
|
|
|
|
|
|
|
|
|
|
PRO TONE Mechafuzz GE
|
|
|
PRO TONE MECHAFUZZ GE. This 5 knob fuzz spitting monster is based around 2 N.O.S. germanium transistors! With outrageous possibilities- this unit is for the experimentalist in all of us. The Mechafuzz is a very creatively built fuzz with tons of possibilities. Designed for fuzz pedal enthusiasts, and guaranteed to be unlike any fuzz you own!
|
|
|
|
|
|
|
|
|
|
|
DURHAM ELECTRONICS Crazy Horse
|
|
|
DURHAM ELECTRONICS CRAZY HORSE. The Durham Crazy Horse is one of the most adaptable distortion/fuzz pedals on the market today. Though the inspiraion for this pedal came from a legendary tone, it's versatility is nearly endless, because the controls required to obtain that classic tone also allow you to get just about any other distortion/fuzz tone you can dream up.
|
|
|
|
|
|
|
|
|
|
ROGER MAYER Rocket Stone Fuzz
|
|
|
ROGER MAYER ROCKET STONE FUZZ. The Roger Mayer Stone Fuzz is the latest fuzz guitar effect in the Rocket Series and is a modern evolution from the fuzz pedals they modified for Jimi. The Stone Fuzz maintains the guitars original tone characteristics with the open sound and sonic heritage that is the trademark of Jimi's recordings. Roger Mayer has added a few new features and advantages that will appeal to those players who strive for a modern sound with strong roots in the past.
|
|
|
|
|
|
|
|
|
|
ELECTRO HARMONIX Germanium OD
|
List Price: $103.30 Our Price: $77.50 You save $25.80!
|
|
|
ELECTRO HARMONIX GERMANIUM OD. The Electro-Harmonix Germanium OD Pedal delivers classic 60's distortion based on the germanium transistor. Gain, Bias and Volts controls are on top of the pedal, not hidden inside the case. Easily dial in that perfect vintage germanium overdrive. The Bias control adds emphasis while the Volts control helps you dial in that that sweet spot produced when your battery's voltage dips. Dial up that slightly torn speaker sound or unleash total Germanium satisfaction. The Germanium OD pedal features true bypass switching, an LED on/off indicator, and a compact and rugged die-cast chassis.
|
|
|
|
|
|
|
|
|
|
FRANTONE The Sweet
|
|
|
FRANTONE THE SWEET. Over the top in every way using the classic tone of germanium transistors. This is the longest sustaining and smoothest sounding all-transistor fuzztone you will ever own. I have designed many fuzztones, including the 2000 New York City Big Muff for Electro-Harmonix, so believe me when I say that this is the most extreme and finest I have ever made. It's tone is indescribable.
|
|
|
|
|
|
|
|
|
|
KADEN EFFECTS Flamingo Fuzz
|
|
|
KADEN EFFECTS FLAMINGO FUZZ. Based on a CMOS chip, the Flamingo provides a gritty, tube-like overdrive/fuzz with plenty of bottom end "fat". This pedal is excellent for pulling out those vintage tweed-style tones, while preserving the original tone of your amp. It can be used as a smooth clean boost, or a medium gain overdrive for thick, chunky rhythms.
|
|
|
|
|
|
|
|
|
|
GUYATONE TZ-2 Micro The Fuzz
|
List Price: $100.00 Our Price: $75.00 You save $25.00!
|
|
|
GUYATONE TZ-2 MICRO FUZZ. A retro-style fuzz effect based on the vintage Univox Superfuzz, the concept behind the TZ-2 was to create distortion using methods other than waveform clipping. Unlike standard distortion and fuzz pedals, the TZ-2 produces a sawtooth waveform that yields a much ruder and cruder tone with a whopping low-end that makes it perfect for use with Bass as well as Guitar.
|
|
|
|
|
|
|
|
|
|
EFFECTOR 13 Never Drive Plus
|
|
|
EFFECTOR 13 NEVER DRIVE PLUS. Octavia / Synthtar / Oscillating Fuzz. The new Never Drive comes with a flipswitch that engages a second oscilation mode that rivals the Disaster Fuzz in sonic mayhem and synth-sounding goodness. The Never Drive takes upper octave fuzz to a new level. With the "Texture" control all the way to the left, your guitar produces the most wonderful dis-harmonic gate-fuzz that sounds very much like a fuzzy Sitar. For best results, use your bridge pickup, and pick heavily towards the bridge.
|
|
|
|
|
|
|
|
|
|
DIAMOND Fireburst
|
|
|
DIAMOND FIREBURST. Thick saturated fuzz with amazing amounts of low-end - the Fireburst. To add to its utility, we put in a unique, footswitchable mid-boost eq and pre/post gain circuit that snaps the fuzz into focus and turns the Fireburst into a tightly focused distortion pedal. The fuzz and distortion gain and mid-boost eq circuits are all discrete component, while we use an audiophile grade opamp for an active Baxandall bass/treble control. The bass and treble controls act independently at extended frequency extremes (<150 Hz and > 3 kHz), allowing for some very interesting post-distortion tonal shaping.
|
|
|
|
|
|
|
|
|
|
NICK GREER Orange Crush
|
|
|
NICK GREER ORANGE CRUSH. The Orange Crush started out as a custom pedal that had been used for quite a few years by Greer Amplification endorsers. It was put into production after word got out that certain endorsers had this custom pedal and people started asking Nick to make it available to them, too. It's a simple pedal that has the same tone as the Black Fuzz circuit with the added feature of the tone knob. The tone knob is a full range tone knob that, when turned full left, cuts the highs and gives the user a thick, bassy fuzz tone and slightly smoothes the fuzz. When full right, the tone knob gives the user lots of treble and in between sounds, very balanced and pleasing.
|
|
|
|
|
|
|
|
|
|
VISUAL SOUND Angry Fuzz V2 Series
|
List Price: $178.00 Our Price: $139.95 You save $38.05!
|
|
|
VISUAL SOUND ANGRY FUZZ V2 SERIES. The Angry Fuzz is a totally original guitar stomp from Visual Sound that will blow away any other fuzz pedal you've ever tried. Although it has an octave circuit that can be blended in with the fuzz, it is not at all like the Octavia or other vintage pedals for that matter. You can set the Volume and Fuzz levels as well as turn the Bright switch on or off for your basic fuzz tone. Blend in the Octave circuit with the Anger Level knob and voila�the most incredible sound you've heard that tracks with every single note. On single notes it will give you one octave up. Play a two-note chord and you'll get the octave up plus some wild lower octave artifacts.
|
|
|
|
|
|
|
|
|
|
FRANTONE Lo-Tone Classic Fuzz
|
|
|
FRANTONE LO-TONE CLASSIC FUZZ. At last, a true fuzztone for bass! This transistorized beauty actually boosts the bottom and gives you awesome sustain with rich creamy fuzztone. Wonderful overtones and plenty of thump to boot. Forget the rest- this is the last fuzz you will need for your bass! Comes in '72 refrigerator beige with our fire engine red custom bakelite knobs and red LED.
|
|
|
|
|
|
|
|
|
|
MAD PROFESSOR Fire Red Fuzz HAND WIRED EDITION
|
List Price: $347.00 Our Price: $312.00 You save $35.00!
|
|
|
MAD PROFESSOR FIRE RED FUZZ. THIS IS THE HIGHER QUALITY HAND WIRED BOUTIQUE VERSION. NOT THE CHEAPER PCB VERSION. BJF design high gain distortion pedal. Hand-made in Finland premium quality distortion pedal. Mad Professor Fire Red Fuzz (FRF) is a fuzz pedal that is easy to play with long sustain and lot of tone variations. The pedal has a compressed, deep effect to allow equal sustain throughout the fretboard. Tone control was specifically designed to allow tones from mellow fuzz, through slight midcut to thin bright fuzz. What ever setting you use the tone is always very musical and controllable.
|
|
|
|
|
|
|
|
|
|
VOODOO LAB Proctavia
|
|
|
The Octavia is a fuzz which creates the octave doubling effect (one octave higher) made famous by Jimi Hendrix and Jeff Beck. The Voodoo Lab Proctavia is an exact replica of Tycobrahe Sound Company�s Octavia, the model used by Stevie Ray Vaughan and considered the most desirable by vintage collectors. The Proctavia includes the same transistors, germanium diodes and transformer coupled output stage as the original circuit to produce the outrageous distortion and high octave sound heard on classic recordings like �Are You Experienced� and �Wired�.
|
|
|
|
|
|
|
|
|
|
ROGER MAYER Voodoo Axe
|
|
|
ROGER MAYER VOODOO AXE. Roger Mayer has taken the classic Axis fuzz sound and added a very effective Fatness control which extends and tightens the low end response without becoming woolly and indistinct. The very tight and extended low end was expressly designed to compliment the use of dropped tunings and dynamically responds very well to this new range of modern sounds. The Voodoo Axe reacts in a human way to the players touch as it uses a significant part of this information to continuously adjust it's operating point.
|
|
|
|
|
|
|
|
|
|
ROGER MAYER Rocket Classic Fuzz
|
|
|
ROGER MAYER ROCKET CLASSIC FUZZ. Roger Mayer's Classic Fuzz incorporates the same modifications that they personally developed for Jimi and can be heard on his early recordings. PNP Germanium transistors of the exact same type that were used in the early versions are very carefully selected for gain and stability to produce the rich smooth rounded tones that the later version NPN silicon transistors failed to emulate. It is unquestionably the most accurate "Vintage fuzz effect" manufactured today that replicates the sound of the early Hendrix tracks.
|
|
|
|
|
|
|
|
|
|
|
NICK GREER Fuzzy Wooly Bear Silicon Unit
|
|
|
NICK GREER FUZZY WOOLY BEAR SILICON. The Fuzzy Wooly Bear is available as a PNP Silicon overdrive unit or PNP Germanium overdrive unit. The Silicon version of this unit has two knobs on top, one gain and one volume. All silicon FWBs sound mostly identical. These pedals have a beautifully textured gain structure that allows wonderful light grit to raging distortion. The Germanium version of this unit features two knobs on top also, one for bias and the other for volume. The volume knob, as usual controls pedal output. The Silicon version is more aggressive in comparison with the Germanium with the Germanium having a slightly fatter sound than that of the Silicon.
|
|
|
|
|
|
|
|
|
|
|
NICK GREER Claymore
|
|
|
NICK GREER CLAYMORE. Like the namesake's explosive characteristics, this pedal comes out of the box ready to go off! A two knob single circuit design allows for a beautiful, textured boost mixed with a slight 60's distortion sound that works wonderfully with tube amps. This pedal is designed with the player that has his/her amplifier on the edge of breaking up. The volume knob of course controls the volume of the boost. The grit (c/fuzz on some earlier models) knob controls the amount of "hair" that is added. The grit knob is most useful when the player has the amp set on the verge of breakup and becomes more flexible the more the amp is driven, at low levels the grit knob is not so noticeable in effect. This pedal is truly loud, proud, and is not afraid of being mean!
|
|
|
|
|
|
|
|
|
|
PRO TONE Rhino
|
|
|
PRO TONE RHINO. Thick slabs of dual octaves down with a chunk of fuzz on top! The Rhino will give you unprecidented heaviness with a touch of mystery. Operates on a standard 9 volt battery or optional BOSS style adapter. Stomp switch built to withstand 30,000 stomps. Durable aluminum housing with an enamel finish. True by pass, as all Pro Tone pedals.
|
|
|
|
|
|
|
|
|
|
TOADWORKS Mad Dog Fuzz
|
List Price: $190.00 Our Price: $149.00 You save $41.00!
|
|
|
TOADWORKS MAD DOG FUZZ. ToadWorks Mad Dog is THE fuzz box of the new millennium, with it's snarling mids, hairy highs and low growl, Mad Dog rips the competition to shreds. Priced to fit any budget, Mad Dog offers unparalleled tone and uncompromising quality, making Mad Dog the choice of professionals and amateurs alike. All fuzzes are not created equally, and someone has to be the winner. Once you hear Mad Dog's bark, you'll beg for it's bite.
|
|
|
|
|
|
|
|
|
|
PRO TONE Springfield Fuzz
|
|
|
PRO TONE SPRINGFIELD FUZZ. The Pro Tone Springfield Fuzz is born of classic 1969 design with modern improvements in tone, usability and reliability. Achieve the creamy fuzz from the early 70s- everything from Clapton/Hendrix/Zeppelin-esque tube distortion to bluesy fuzz to the sludgy, throaty sounds are all at your fingertips.
|
|
|
|
|
|
|
|
|
|
CARL MARTIN The Fuzz
|
List Price: $470.00 Our Price: $329.00 You save $141.00!
|
|
|
CARL MARTIN THE FUZZ. Carl Martin fuzz sets new standards for distortion with it�s revolutionary wave guide. By using the wave guide's deep and high controls in conjunction with the 3 band EQ, it is possible to clean up the distortion and shape the sound in any way needed thus making it possible to achieve sounds ranging from an old blues fuzz, to a mid 80's hard rock tone, to a hard core metal sound.
|
|
|
|
|
|
|
|
|
|
URSO Splinter
|
|
|
Splinter is a spectacular new overdrive / distortion / fuzz pedal that achieves similar full-range gain and tonality of a finely-tuned boutique tube amp. On lower gain settings, tone is bright and full of sparkly life. As gain increases, so does bass response and a beautiful character introduces itself. Due to the intense attention given to the completely analog circuit design, the harmonic content and signal breakup is very dynamic and natural. If you've ever heard a Harmonic Percolator (Interfax) before, this is like one on steroids!
|
|
|
|
|
|
|
|
|
|
ELECTRO HARMONIX Big Muff Pi NYC Distortion Sustainer
|
List Price: $108.50 Our Price: $81.40 You save $27.10!
|
|
|
ELECTRO HARMONIX BIG MUFF NYC. Like the legendary Big Muff Pi of the 70s, the reissue Electro-Harmonix USA Big Muff Pi Distortion/Sustainer Pedal has 3 controls that let you dial in the finest harmonic distortion/sustain ever produced. The Volume control adjusts the output level. The Sustain control optimizes the long sustain with just the right amount of harmonic distortion. The Tone control provides a range of sounds, from warm bass to crisp treble.
|
|
|
|
|
|
|
|
|
|
VOODOO LAB SuperFuzz
|
|
|
The rare Jordan Electronics Bosstone (circa 1968) is considered by many to be the ultimate vintage fuzz. The Voodoo Lab Superfuzz starts with this classic fuzz design and adds unique tone and resonance circuits to create an amazing new array of fuzz tones. The tone control delivers a wide spectrum of midrange and bass timbres, everything from an extreme gain scooped tone through a raucous, bluesy, prominent mid voicing. The resonance control is a sub-harmonic booster that lets you add an aggressive bottom end not typically found on fuzz pedals. Attack varies the gain from rich and creamy to outrageous.
|
|
|
|
|
|
|
|
|
|
MI AUDIO GI Fuzz
|
|
|
MI AUDIO GI FUZZ. The GI Fuzz is a high gain fuzz design, featuring a trio of ultra low noise, high gain silicon transistors. This is not a fuzz for the faint hearted. It has about 20db more gain than a Fuzz Face, so you can think of the gain achievable as being equivalent to a a Fuzz Face at full tilt being driven by a booster! This is military spec fuzz, complete with a camouflage green aluminium enclosure and stencil script. The GI Fuzz is not a clone of anything out there.
|
|
|
|
