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PRO TONE Springfield Fuzz
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PRO TONE SPRINGFIELD FUZZ. The Pro Tone Springfield Fuzz is born of classic 1969 design with modern improvements in tone, usability and reliability. Achieve the creamy fuzz from the early 70s- everything from Clapton/Hendrix/Zeppelin-esque tube distortion to bluesy fuzz to the sludgy, throaty sounds are all at your fingertips.
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PRO TONE Spitfire
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PRO TONE SPITFIRE. The Pro Tone Spitfire is a distortion pedal for a full range of rock to metal and all points in between. The Spitfires dynamics range from a soft clipped distortion all the way to a hard driving, speaker searing crunch with just a few tweaks of the controls. Recreate some of the most modern, retro or classic sounds or create something unique and new. New for 2005 is the Spitfires tone control. Most distortion units feature hi boost/cut tone circuits, the Spitfires new tone control acts more as a low range boost/cut. In addition, the Spitfire now features the magical mojo of the JRC4558 IC chip. Adding up to one killer pedal.
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PRO TONE Rhino
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PRO TONE RHINO. Thick slabs of dual octaves down with a chunk of fuzz on top! The Rhino will give you unprecidented heaviness with a touch of mystery. Operates on a standard 9 volt battery or optional BOSS style adapter. Stomp switch built to withstand 30,000 stomps. Durable aluminum housing with an enamel finish. True by pass, as all Pro Tone pedals.
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PRO TONE Body Rot
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PRO TONE BODY ROT. This is as metal as it gets. The Body Rot delivers wicked sustain with tones that rival a stack of amps. New model features a tone control, offering a wide range of flavors. From screaming leads to crushing rhythm work the Body Rot can deliver the goods.
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PRO TONE Brahma
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PRO TONE BRAHMA. Introducing the Pro Tone Brahma: a 2 stage Op-Amp distortion unit that provides an extra boost to your signal creating 2 stages of overdrive. The heart of the Brahma is a high end audio Op-Amp from Analog Devices designed to not color your tone or get noisy when the unit is cranked. The Brahma is an extremely responsive distortion unit with versatility to spare. From clean, slightly driven crunch to maximum fuzz. The Brahma is unique in its sensitivity to your playing style- it cleans up nicely when fed a lower signal from your guitar, but really jumps and wails when driven hard.
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PRO TONE Kompressor
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PRO TONE KOMPRESSOR. The Pro Tone Kompressor is born of legendary design with modern improvements in tone, usability and reliability. Germanium diodes, and the legendary Texas Instruments JRC4558 chip provide some of the mojo behind this pedal. Coupled with the compression amount control being on the box, allowing you the most flexibility, and you've got a classic... only better.
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PRO TONE Mach II
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PRO TONE MACH II. The Mach II consists of 2 Thruster circuits, 2 foot switches, 2 LEDs, and 3 knobs- oh yes folks 3 knobs... all in one little box! You now have total control over the Mach II's gain stages. In addition, you also get a Master control that allows you to use it as an overdrive/distortion unit without changing your signal volume.
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PRO TONE Boom Box
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PRO TONE BOOM BOX. From Pro Tone Pedals comes the most versitile boost pedal to date. Introducing the Pro Tone Boom Box. The heart of the Boom Box is a clean boost design utilizing a high fidelity integrated circuit chip from Texas Instrument. But thats just the begining of the this units abilities. In response to users demands for more tone shaping options the Boom Box also features the legendary tone stack designs from 3 of the most popular amp manufacturers in history- Fender, Vox, and Marshall.
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PRO TONE Mechafuzz GE
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PRO TONE MECHAFUZZ GE. This 5 knob fuzz spitting monster is based around 2 N.O.S. germanium transistors! With outrageous possibilities- this unit is for the experimentalist in all of us. The Mechafuzz is a very creatively built fuzz with tons of possibilities. Designed for fuzz pedal enthusiasts, and guaranteed to be unlike any fuzz you own!
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PRO TONE Body Rot II
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PRO TONE BODY ROT II. The Body Rot II started off with the heart of the original Body Rot and an added tone stack... but that wasn't enough. With so many boutique companies jumping on the band wagon Pro Tone started with ultra heavy distortion, we knew we had to create something massive. We knew that the Body Rot II had to be something that would send a jolt to the competition and silence the naysayers.
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PRO TONE Monster Fuzz
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PRO TONE MONSTER FUZZ. Pro Tone Pedals and renowned artist Felix LaFlamme have teamed up once again to bring you the most monstrous effects pedals around. The Monster Fuzz is an unruly fuzz spitting beast capable of the most amplifier abusing fuzz around. But like most monsters this one has a soft side... a sweet underbelly if you please... good luck finding it!
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PRO TONE Dead Horse Overdrive
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PRO TONE DEAD HORSE OVERDRIVE. The Dead Horse� Yeah� its based on a Tube Screamer� but it sounds WAY better! We took the classic design and went nuts from there. We performed all of the common �after market modifications� by guys like Keeley or Landgraff and other boutiquers get upwards of $600 for. But as you all know- those price tags are not our style! Extended low end, and more gain are just the tip of the iceberg� You�ve got the traditional TS tone, volume, & gain control format with the addition of a switch to change the clipping diodes from symmetrical to asymmetrical.
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PRO TONE Ram Skull Fuzztortion
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PRO TONE RAM SKULL FUZZTORTION. The Ram Skull is a re-birth of the ridiculously expensive and hard to find Big Muff Pi commonly known as the �Ram�s Head�. Note quite a fuzz, not quite a distortion; more like half and half... a hybrid. The Ram was favored by David Gilmour from �77-�89. I ask you- when was his tone any better than that time frame?
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PRO TONE TV Delay
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PRO TONE TV DELAY. Pro Tone resisted going digital for some time now. We waited untill we could get analog warmth in the digital realm. We belive that we've accomplished exactly that. The T.V. Delay features 10-580ms of rich delay. The Delay control adjusts the delay time. The Level control offers the user full control of the balance of wet and dry signal. The Repeats control determines the number of repeats. Full counter clock wise allows one repat to come through, while full clockwise allows endless repeats to create lush sonic landscapes.
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PRO TONE Lithium
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PRO TONE LITHIUM. The Small Clone was an analog chorus pedal re-introduced to the world by Kurt Cobain. The originals sounded amazing, but had a couple detractors- A depth switch rather than total control and they were not built very tough- there aren't too many originals out there that aren't crumbling to pieces, inside and out. So we tweaked it. You now have a fully sweepable Depth control. Rugged true bypass 3pdt footswitch, and a diecast aluminum enclosure.
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PRO TONE Raven Chorus Deluxe Edition
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PRO TONE RAVEN CHORUS DELUXE EDITION. Lurking under the layer of chorus resides a layer of thick, full bodied fuzz. This concept is an industry 1st and was designed to meet the rigorous tone shaping requirements that a Journeyman of Raven's standards would demand. To take the obsession with tonal flexibility even further we've designed the Chop Chop switch- the ability to convert the lush chorus into a slurred vibrato unlike anything else available today with a simple flick of a toggle switch. Because Paul Raven is not just a bass player, but a highly sought after producer, the Raven pedal serves double duty- as both a bass effect, and a guitar effect pedal. The Kaw switch adjust the bass frequency response to provided maximum flexibility both on stage and in the studio.
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PRO TONE Jason Becker Distortion Signature Series
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PRO TONE JASON BECKER DISTORTION SIGNATURE SERIES. Jason Becker- legendary guitarist from Cacophony & David Lee Roth� what can you say about this guy that hasn�t been said a million times? So lets just let the pedal do the talking. The Jason Becker Distortion is a 100% hand wired analog emulation of the British amp used by Jason during the Perpetual Burn recording sessions, with added gain and a boost channel. The additional gain came from Jason telling us that he really enjoyed the higher gain sounds he was using later in his career from a newer amplifier. The end result is 2 pedals in one: A distortion pedal recreating Jason�s burning distorted tone, and a meaty boost pedal that can be used by itself or in conjunction with the distortion to send your guitar to tonal nirvana.
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