Available starting in June 2005, the Agent 00Funk Mark II (pronounced
"agent double O funk mark two") turns bass guitars and other electric
instruments into instant funky squelching fatness. The Agent 00Funk
Mark II features a highly resonant lowpass filter that sweeps up or
down with every note you play giving you a super-punchy automatic wah
tone.
Based on our highly acclaimed original Agent Funk, the Mark II
squeezes extra funk into a more convenient, easier to use package. Now with true bypass and only the best quality analogue
electronics, the Agent 00Funk Mark II is perfect for all you clean sound freaks. For maximum squelch, the new envelope
input allows you to use a clean envelope prior to fuzz or distortion. Plug the Chunk Systems Brown Dog gated
bass fuzz pedal straight in to create some truely amazing synth tones.
FEATURES: - Suitable for bass guitar, electric guitar and other electric instruments.
- True bypass - input is connected directly to output when switched off.
- Four controls allow you to fine-tune your sound.
- Switchable up/down sweep direction.
- Runs from a single 9V battery or external power supply (not included).
- Convenient form factor includes no-tools battery drawer.
- Sturdy steel case finished in a lurid purple.
- High quality soft-feel foot switch.
- Compatible with Brown Dog for crazy synth tones.
- High quality analogue electronics throughout.
- Two pole lowpass filter with logarithmic sweep for extra funk.
- Wide range non-optical sweep circuit for better resonance and reliability.
- Lovingly manufactured in Australia.
CONNECTORS:
-Input - signal from your instrument comes in here.
- Envelope - connects to Brown Dog for maximum squelch.
- Output - signal goes out to your amplifier here.
- 9vdc - plug in a regulated 9V DC 2.1mm supply here.
CONTROLS:
In addition to the high-quality metal bypass switch, the Agent 00Funk Mark II has four knobs and a switch:
The pitch control determines the filter frequency
when the input is silent. You use it to determine the overall pitch
of the filter effect. Turning it lower will tend to give you fatter,
bassier tones while higher settings will affect only the higher end
of your sound.
- The smoothness control determines how quickly the filter
sweeps in response to changes in input level. If you set it low,
the filter will make large, jerky jumps on each note. This tends to
sound squidgy and warbles a little as the filter responds to individual
audio cycles. If you set it high, the filter makes smaller, slower movements.
- Adjusting the sweep control changes how wide the filter sweeps are.
When you set it low, the filter sweeps over a narrow range and is not
very responsive to the dynamics of your playing. When you set it high,
the filter sweeps over a wider range and the dynamics of your playing
will have a greater affect.
- The squelch control determines how extreme the filtering effect is by
adjusting the resonance of the filter. As you turn it higher, the filter
has a higher gain at the filter frequency and accentuates those frequencies
more, making a "squelchier" sound.
- The switch determines the direction of the filter sweep. In up mode the filter
starts low and sweeps up to higher frequencies. This can add a lot of punch
to the start of each note as the filter sweeps over the fundamental frequency.
In down mode, the filter starts high and sweeps lower, which gives a
different type of sound in which the note tends to get swallowed in the middle
but returns at the end.
AUDIO DEMOS:
Coming Soon.
HARMONY CENTRAL USER REVIEWS:
Coming Soon.
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