|
|
|
|
 |
|
JHS Mini A/B Switch Box
|
|
|

JHS MINI A/B SWITCH BOX. A good solid A/B box can be a guitarist's best friend. We make ours from a Hammond 1.5"x3.6� metal enclosure with high quality jacks and switch. We also include a dual color (red/green) LED to let you know by sight if your using A or B. This is very practical in a live situation. Here are the best uses for our handmade Mini A/B.
|
|
 |
|
|
|
|
 |
|
JHS Little Black Buffer
|
|
|

JHS LITTLE BLACK BUFFER. This may be the greatest weapon you didn�t know you needed. For those of us who are a little �pedal happy� there can be some downfall to our tone. When running a pedal board with more than one or two effects, something called �capacitance� happens. This natural problem happens due to the amount of cable or line that your signal has to travel through, not to mention bad switching systems in certain pedals. This is where the �Little Black Buffer� steps in providing the perfect input impedance to your rig and giving you the final result of clear, natural tone that sounds like you're plugged straight into your amp no matter how many pedals you use.
|
|
 |
|
|
|
|
 |
|
JHS Mini Foot Fuzz
|
|
|

JHS MINI FOOT FUZZ. Small, ruthless and simple. 1� x 3� of pure classic fuzz that can melt even the most anti-fuzz activists heart. We believe this is one of the most shocking pedals you will ever play. Rich harmonics, massive headroom and thick fuzz/overdrive that may cause you to wonder, �What if I had had this pedal years ago? Would I be famous...?�
|
|
 |
|
|
|
|
 |
|
JHS Angry Charlie
|
|
|

JHS ANGRY CHARLIE. The Angry Charlie "Channel Drive." In the footsteps of the classic Marshall Gov�ner this monster was born. Just like its big brother the Charlie Brown, the Angry Charlie is versatile, well rounded and full of tone, but one thing sets them apart. This one's a little more Angry� If you want high gain Marshall tones reminiscent of a JCM-800, then this is the pedal for you. The additional presence knob adds a versatility and tweaking ability that transforms any amp into a fire breathing monster!
|
|
 |
|
|
|
|
 |
|
JHS Charlie Brown
|
|
|

JHS CHARLIE BROWN. The Charlie Brown "Channel Drive." If you�ve ever heard an original Marshall JTM45 than you know why it�s the voice of classic Rock & Roll. The classic JTM45�s are loaded with warm, rich character that makes a Stratocaster sing and a Les Paul scream. Our Charlie Brown is voiced to transform any good amp into a living, breathing replica of the tone that built an era. After playing this pedal most people say, �Where has this been my whole life?� The Presence knob lets you roll of the perfect amount of shimmer for an unprecedented compatibility with almost any amp.
|
|
 |
|
|
|
|
 |
|
JHS Moonshine Overdrive
|
|
|

JHS MOONSHINE OVERDRIVE. Are you looking for an overdrive that is not transparent and adds its own character and attitude? The Moonshine is for you. Our Moonshine Overdrive is a highly unique and massively tweaked version of the most famous overdrive ever created and housed in a little green enclosure. Blues, rock, country, jazz, and even hardcore/metal players will find this is an indispensable tool for shaping and creating unique mid heavy tones for almost any need. Just like our SuperBolt pedal, the Moonshine uses an internal 9v to 18v charge pump that allows it to run on normal 9v but converting it internally to 18v for an enormous amount of headroom, added low-end and more overall punch.
|
|
 |
|
|
|
|
 |
|
JHS Morning Glory
|
|
|

JHS MORNING GLORY. There�s a lot of hype out there these days with overdrive pedals and the last thing we want to do is to add to the noise. As you may already know, almost every boutique overdrive on the market is a modified Tubescreamer of some sort; we have decided to take a different approach. The Morning Glory is a very transparent tone-shaping tool that is the result of several years of building, gigging, tweaking and improving on the original Marshal Bluesbreaker design. We improved vastly on the BB while maintaining what made it a great pedal in the first place. It now has around 4X more headroom, 2X the available gain, and a more useful tone control. The �Bright Cut� toggle allows the perfect level of EQ for your rig.
|
|
 |
|
|
|
|
 |
|
JHS Superbolt
|
|
|

JHS SUPERBOLT. From the inception of the Supro Company in 1935 until its closing in 1968, no other brand of amplifier has had such a fascinating, mysterious and legendary story. The Supro� amps deliver the voice of rock and roll, from Jimmy Page�s legendary Led Zeppelin recordings or Brian Setzer�s early Stray Cat tracks, to the raging rhythm tones of Switchfoot�s Drew Shirley. The JHS SuperBolt overdrive pedal, at its heart, is a discreet circuit, designed to emulate the tone and character of the 1960�s-era Supro� amps. From its touch-sensitivity to the way the pedal sags with tube rectifier color at higher gain settings, the SuperBolt will give any guitar rig a versatile and useful new set of tones, reminiscent of some of the greatest sounds ever recorded. With 3 simple knob controls named Volume, Tone, and Drive, you will have the ability to make any guitar rig drip with vintage soul and attitude that no pedal has ever delivered- until now.
|
|
 |
|
|
|
|
 |
|
JHS Pulp n Peel Compressor
|
|
|

JHS PULP N PEEL COMPRESSOR. Compression is the one effect that can make the difference between sounding polished and professional or just normal and part of the crowd. Most people discover that �studio� quality sound in their rigs for the first time when they add a good quality compressor. Our Pulp n Peel compressor is the perfect tool for adding dynamics, flavor and sustain no matter what rig you play. With the PnP you will find that your guitar's natural color and attack stay in place instead of being forced under a hard and un-transparent squash. Once you have experienced what it does to your rig, you will never be the same.
|
|
 |
|
|
|
|
 |
|
JHS The AT (Andy Timmons) Drive
|
|
|

JHS The AT (Andy Timmons) Drive. Sometime in 2013 Andy Timmons purchased an Angry Charlie from a guitar shop in Texas, and it became his main dirt channel soon after. Having a chat with him at Winter NAMM 2015 we set out to tweak it a bit to his personal tastes and needs so that it could fit even better into his live rig. The rest is history and the JHS Pedals �AT�, AKA �The @�, was born. This is an extremely versatile pedal that covers a large range of gain territory. If you need a single pedal that can achieve the saturated tones of a real British tube amplifier with a 4x12 cab, the Andy Timmons signature pedal is where it�s �AT.�
|
|
 |
|
|
|
|
|
 |
|
JHS Muffuletta Fuzz Distortion
|
|
|

JHS MUFFULETTA FUZZ DISTORTION. The heart of the Muffuletta is the fact that it replicates five (yes five) classic Big Muff circuits from years gone by as well as a new and original JHS version for a total of six Muff models. All executed without any digital signal processing or digital emulation. When you choose a model, you are achieving analog tone that uses real components and values found in the original units. We have selected our favorite classic versions from the pages of history and made them available in one small format pedal.
|
|
 |
|
|
|
|
 |
|
JHS Alpine Reverb
|
|
|

JHS ALPINE REVERB. In a world full of reverb pedals we are proud to offer up a highly tweak-able, versatile, inspiring and cost effective solution for any situation your gig might throw at you. The heart of the Alpine's design is the idea that you can have a reverb pedal that is straight forward, easy to use, but also extremely powerful in its functions all while still very approachable without requiring a degree in computer engineering to dial in a great sound.
|
|
 |
|
|
|
|
 |
|
JHS Unicorn Uni-Vibe Photocell Modulator w/ Tap Tempo
|
|
|

JHS UNICORN UNI-VIBE PHOTOCELL MODULATOR W/ TAP TEMPO. In the 1960�s a new guitar effect was introduced that would leave its mark on some of the most influential music ever made. What sets the Unicorn apart from all other Uni-Vibe* circuits up till now is that we have for the first time ever added tap tempo control of the LFO rate as well as ratio, external tap control, and external expression of the speed. We are super proud of bringing all the magic of this classic circuit into the modern age without compromising the integrity of the all analog signal path, photo cell topology, and true classic invention that the 1960s gave us. When everything has been done and everything has been seen, we bring you a first ever 100% analog signal path Uni-vibe* Photocell Modulator w/ Tap Tempo.
|
|
 |
|
|
|
|
 |
|
JHS Double Barrel
|
|
|

JHS DOUBLE BARREL. This is our "Everything low to medium gain" pedal. The Double Barrel is for the player who needs a versatile but transparent overdrive at medium and light gain levels. You won�t find face melting distortion here, but you will find overdrive with the character and stacking abilities to cover most any tonal need. The right side is our JHS-808 with more usable tone control, more focused lows, better presence and warmer clipping than the original screamers on the market. The left side is our #1 selling �Morning Glory� overdrive. Transparent, discreet and open are what lurk inside this circuit. When these two circuits are stacked, something magic happens. Tones that are original and fresh come with ease, as well as added flexibility, due to the �order switching� toggle that lets you decide what pedal comes first in the signal chain.
|
|
 |
|
|
|
|
 |
|
JHS Sweet Tea
|
|
|

JHS SWEET TEA. This is our "Everything Medium to High Gain 2 in 1" and it covers all the bases from clean boost, light breakup, blues, rock, heavy grind and more. The right side is our JHS-808 circuit. It has a smoother, more usable tone control and all the character you would expect from this classic legendary design. On the left side is our very own �Angry Charlie�. High gain JCM 800 type �Brown� sound tone that we believe is the most accurate Marshall tone ever put in a stomp box! It has volume, drive, tone and presence controls. The presence control allows this monster to bring any amp into submission and make tone that will have ears wanting more.
|
|
 |
|
|
|
|
 |
|
JHS Panther Cub Analog Delay
|
|
|

JHS PANTHER CUB ANALOG DELAY. In 2011, JHS released the Panther Analog Delay. Almost exactly two years later we tried a nearly impossible feat of taking everything we love about the Panther Delay, making a few improvements, and packaging it into a enclosure half the size. We are proud to bring to you the Panther Cub. True Bucket Brigade delay that has the tone and options to cover any style, any use, and any player. The �effects loop� allows you to place any effect or effects chain on the repeats only. The Panther Cub Delay is our most anticipated pedal to date with it�s groundbreaker feature set including �tap tempo control� that lives within an all analog 1000 milliseconds of delay time!
|
|
 |
|
|
|
|
 |
|
JHS Colour Box Neve 1073 Console Preamp
|
|
|

JHS COLOUR BOX NEVE 1073 CONSOLE PREAMP. In 1961 a British engineer would start a company from a spare room in his England home that would permanently change the history of the Pro Audio industry. This company set a trajectory for musical tones that spanned across genres and impacted every generation that followed. We are talking about the infamous piece of gear known as the Neve* recording console. From "Love Me Do" by The Beatles to the famous sounds of Led Zeppelin, U2, Spoon, Pink Floyd, Motown, Quincy Jones, Nirvana, Steely Dan, Neil Young, Tears For Fears, and Tom Petty (the list is endless), The Colour Box is our tribute to the legend and application of how a piece of gear can change music.
|
|
 |